Changing the world one show at a time.
Identity Theater Company is a group of differently abled artists devoted to exploring and challenging issues of the human condition.
We strive to present work that cultivates understanding, promotes tolerance, and engages its participants in meaningful discussions.
The cast of "Pinnochio"
Let’s face it; working in theater is hard, if not almost impossible at times. But to an actor with a disability, the odds are even more stacked against you. A disabled actor often finds himself being considered for a very small number of roles. Unfortunately, many directors don't want to take a risk by hiring an actor who is more different than the rest. How do I know this? Well I'm a disabled artist trying to break stereotypes.
Theater was, and probably will always be, my greatest passion in life. It offers a kind of creative freedom that is very liberating, especially when you have physical limitations. I never quite understood the notion of type casting because playing and creating a character is rooted in pretending so why can't we pretend that a character has a disability as part of them? I've been told things like, “unless we do Of Mice and Men, you don't stand a chance! (I was told this by a professor, which after I left the school). Then they charged me with hiding my disability and to try to appear “normal”. I tried this for three long years and right when I was going to give up, something told me that this is ridiculous, I can't hide my disability just like someone can't hide their natural hair color. Then I transferred to another school, which said, “Wow, you're disabled? That's great!” You can imagine my surprise that my seeming obstacle was now seen in a new light. My teachers started showing me how to bring all of myself into a role. I will never forget, getting cast as the Gander in Charlotte’s Web and being convinced that I couldn't speak because The Gander spoke in threes (yes,yes,yes!) One rehearsal my director asked me “What's holding you back? Timidly, I announced my fear of being unintelligible due to my disability. He very frankly told me without hesitation, “I don't see why the Gander can't have Cerebral Palsy. I was floored. That was the moment of my rebirth into theater and I have never looked back.
Yet, the theater community is not always so open to this idea. It's like in order to pretend to be something you're not; you have to first be the character as yourself. I never got this oxymoron; I have to be real to pretend?! Luckily, I have had some very good mentors along the way, Krista Smith and Stephanie Barton-Farcas, showed me how to be a competent disabled actor. With their tutelage I started landing roles. Yet, something was missing. It dawned on me that my mentors represent only two directors with companies out of many. I was still meeting directors who are still closed off about working with disabled actors. Along my journey, I got to meet and work with great talented actors who have disabilities. After seeing how their skills and talent were dismissed so quickly, I knew something had to be done.
In March 2011, I founded Identity Theater Company after being inspired by Nicu's Spoon. One may look at this as a competition or a slap in the face, but it’s not. It's simply a way to open another avenue for differently-abled actors. We need change and to open up our minds and hearts to differently-abled artists. I hope my company will be another beacon of light and hope that the theater community can embrace us all. Personally, I've never gotten a satisfactory question to this; “why can’t Blanche Dubois be blind or in a wheelchair?” No one can tell me, but almost everyone sees this choice as blasphemy and downright wrong. I think it would be fascinating to see this new interpretation done. I'll never forget seeing Buried Child by Nicu Spoon Theater, who cast a deaf actor to play Tilden and he spoke on stage. Although hard to understand at times, this actor broke down barriers and delivered one of the best theatrical performances that I have ever seen. It was riveting, inspiring, and unforgettable. Many people say I'm too liberal, but I hope that I am just pushing boundaries and opening doors. If art does truly imitate life, shouldn't we let our art embody acceptance, respect, and tolerance? So I ask you this, “Why can't we all play together?”
El Barrio Artspace PS109
New York, NY
March 8th-24th 2019
Fridays & Saturdays: 8pm
Sundays: 3pm & 7pm
Take a look at the handicapable world of the Identity Theater Company with its founder Nicholas Linnehan!
Matthew Tyler is very grateful to be working with the Identity Theater Company. A California native, he is graduate of NYU’s Tisch School ofthe Arts with a BFA in acting, and is a headshot photographer (MatthewWilliamsonPhotography.com) and director. Matthew recently directed a production of "Aloha, Say the Pretty Girls" with Theatre 68.
Amy is a New York comedian, actress and writer who does stand-up and improv all over. She is a Co-producer and performer of the yearly comedic breast cancer awareness fundraiser "Hooray For Boobies!" Theater credits include “Oklahoma” at Fulton Opera House. Amy wrote, produced and performed in “The Power of Now-ish?”
Recent theatre credits include: Mama Mia (Harry) at Mason Street Warehouse, Mama Mia (Harry) and The Hound of the Baskervilles (Dr. Mortimor) at Arrow Rock Lyceum Theatre. Broadway: Nick & Nora; Nat’l & Internat’l Tours: Spamalot, West Side Story, Crazy For You; Off & Off-Off Broadway: Actor’s Playhouse, Theater for the New City, Urban Stages, NY Fringe Festival, 47th Street Theatre.
Ben Dworken is an actor from Connecticut and has lived in NYC for three years. He had the pleasure of working for Identity Theater Company in their 2016 production of The Tempest, which was his NYC acting debut, and is honored to have been chosen once again to represent inclusion in the arts as an actor on the autism spectrum, for this project. Past works include Dog Sees God for EPIC Players, SHOTZ for Amios Theater Company, a few works for DreamStreet Theater Company, Uncle Vanya for Columbia University.
Nick is an avid director, actor, and writer. Previously, he has been busy writing five new original works; His first play, The Real Story was produced in 2001 by The Post Theatre Company. His second play, Identity (award winning), was produced twice by Queens College in 2005, once by Manhattan Repertory Theater in 2006, and by Nicu’s Spoon Theater in 2007. His last original work, Erosion: Life on Life’s Terms premiered in January 2010 at Nicu’s Spoon Theater.
“What makes this riveting theater is the performance itself. He takes his audience by the hand and does not lecture.”
“This production...is an enlightening chance to hear one man with CP speaking his truth. Bravo to all who helped construct the narrative within the narrative wherein it feels safe to be real.”
THEATRE IS EASY